Another ambiguous ending in this gothic fiction classic…
When a governess is hired to care for two children at a British country estate, she begins to sense an otherworldly presence around the grounds. Are they really ghosts she’s seeing? Or is something far more sinister at work?
Has the governess succumbed to madness? (If so, why?) Or are there really malevolent spirits out to get her young charges? In the end, it’s up to the reader to decide. I understand why authors do this, but sometimes it feels like a cop-out. Are there ghosts or not??
The writing was beautiful and descriptive, and there was definitely a strong creepy vibe throughout the story. I listened to this on audiobook, and Emma Thompson’s performance was amazing. Very passionate and entertaining.
If she could reach back through the years and warn the person she once was, what would she say? What would she say to the ghosts who now inhabit her days? So many of those she has loved are now nothing but dust and memory.
I listened to this lovely and heartbreaking novel on audio last summer, narrated by Elisabeth Hopper. It was just the right blend of mystery, historical and Gothic fiction. Dark family secrets are hidden in the walls of Cloudesley. Can Lillian save granddaughter Maggie from her same fate? Wraps up with a bittersweet ending. Enjoyable ♥
I’ve had THE LITTLE STRANGER on my wish list for years, so I decided to use an Audible credit and listen to it in October. The audio was narrated by Simon Vance, and I enjoyed his performance very much. I love his voice – first heard him when I listened to BRING UP THE BODIES (which was wonderful!).
THE LITTLE STRANGER is a slow-burn, atmospheric novel of suspense. I thought it was beautifully written, quite absorbing, and downright creepy at times. It was a story that I looked forward to jumping back into. That said, I also thought it was a bit too long and drawn out, and the ending doesn’t wrap up with a tidy bow.
Set in the late 1940s, this book centers around an English physician’s relationship with a down-on-its-luck aristocratic family and their crumbling ancestral home called Hundreds Hall. Odd things are happening in the house, and family members suspect the cause is a malicious supernatural presence, but the doctor is not easily convinced.
Like I mentioned before, there’s no neat and tidy ending where everything is explained, which is a bit frustrating. I drew my own conclusions from the evidence given, and I suppose I’ll have to be satisfied with that.
Awkward Frances doesn’t fit in with the snobby moms of elite Forrester Academy, so she’s surprised when the beautiful and perfect Kate wants to be her friend. The two women become very close. However, neither one knows that the other is harboring a dark secret, and one of them is a murderer.
HER PRETTY FACE is very much a slow-burner; there’s not a big mystery to figure out or fast paced suspense. The story alternates between past and present, and between three characters’ points of view: Frances, Daisy (Kate’s teenage daughter), and DJ (the wild card). Can criminal sociopaths change, and if so, should they be forgiven after serving their sentences? Do they deserve anonymity, or does society have the right to know who and where they are?
The subject matter is dark and disturbing, and according to other reviewers, this book was inspired by true events. I was hoping for a stronger mystery element, though the identity of DJ revealed at the end threw me for a loop. I listened to this on audiobook, with performances by Rebekkah Ross, Cassandra Campbell, and Kirby Heyborne. I’m already a fan of Ross and Campbell, and all three voices fit well with their character.
Disclosure: I received a copy of this audiobook from the publisher in exchange for an honest review.